Tag Archive for: April Post 1

7 Poets With Hearing Loss

Take in Some Stanzas for National Poetry Month in April

It’s April, and that means poetry! Make it official, outspoken (#NationalPoetryMonth), or under the radar, but whatever you do, celebrate these poets with hearing loss and singular voices.

Gael Hannan

A renowned humorist, author, and passionate advocate for hearing loss issues, Gael Hannan grew up with progressive hearing loss. She teaches speechreading, holds hearing awareness workshops, and conducts sensitivity training for organizations large and small. She was honored with the Consumer Advocacy Award from Speech-Language and Audiology Canada.

Her poem “Those Things on the Side of Our Head” concludes this article featuring three other poems by authors with hearing loss, including the next person on our list!

Shanna Groves

Shanna has progressive hearing loss and is a speaker, author, and advocate for hearing loss issues. She has a popular blog, Lipreading Mom, is a finalist in the Oticon 2022 Focus on People Awards, and launched an awareness campaign, Show Me Your Ears.

Here’s that link again. This time, catch Shanna’s poem, “A Different Kind of Beauty.”

Camisha L. Jones

Camisha served as managing director of Split This Rock, a national poetry nonprofit centering social engagement, from November 2013 through August 2022. She competed at the 2013 National Poetry Slam on behalf of Slam Richmond, is co-editor of a forthcoming anthology of disability poetry, and lives with fibromyalgia and Ménière’s Disease.

Her poem “Ode to My Hearing Aids” is from her chapbook Flare, which focuses on her experiences with hearing loss and chronic pain.

Noah Baldino

Noah is a writer and editor with middle-frequency hearing loss whose poems have appeared in POETRY, The Yale Review, and elsewhere. A recipient of the 2019 Academy of American Poets Prize, Noah has also received support from numerous organizations, including Bread Loaf, Poetry Foundation, and The Stadler Center for Poetry and Literary Arts.

Head here to check out Noah’s poem “Hearing Loss.”

Raymond Antrobus

Raymond Antrobus MBE FRSL is an East London-born poet, performer, and hearing aid user. His poems have appeared in magazines and literary journals, he has read and performed his poetry at prestigious festivals and universities, and he is co-curator of popular London poetry events Chill Pill and Keats House Poets.

Enjoy this spoken-word performance of his two-minute piece “The First Time I Wore Hearing Aids.”

Willard J. Madsen

Any article on poetry and hearing loss wouldn’t be complete without mentioning the classic “You Have to Be Deaf to Understand.” Willard J. Madsen’s 1971 poem became so popular it was eventually translated into seven different languages, was reprinted in numerous publications, and is considered a classic of Deaf culture. Madsen became deaf at age two because of scarlet fever and taught at Gallaudet University for almost 40 years.

Clayton Valli

Clayton Valli pioneered the concept of using a curriculum for deaf children focusing on ASL as a first language. He was also the first person to earn a doctorate in ASL poetry, from the Union Institute in Ohio. His original works of ASL poetry garnered international recognition, for example, “Dandelion,” which suggests ASL persists despite intentional efforts to weed it out.

Whether poetry or K-pop, we’d love to help you hear your passion better — contact us today to schedule a hearing consultation!

This Mask Supports Effective Communication

Which Mask Can Help You Be Heard?

You probably chose your go-to masks based on safety and comfort. However, communicating while wearing a mask can be tricky — so how do you know which type of mask is best for helping others understand you?

A team at Washington University conducted a study to answer just that question. But before we look at the study, let’s try to understand why your choice of mask would even matter.

How Masks Affect Communication

Muffling your voice

Singing in the shower sounds different than singing in the living room. Your voice bounces off mirrors, porcelain, tile, and glass differently than it does off carpet, upholstery, electronics, and your pets’ fur.

Speaking into a mask is no different. Woven cloth interacts with the sound of your voice one way, and the material in surgical masks affects your voice in a different way.

They all, however, muffle sounds at high frequencies. You can start mistaking one word for another; “cat” sounds like “hat,” and “top” sounds like “pop.” What sets one type of mask apart from another is how often this happens.

Covering up nonverbal cues

Your face gives many nonverbal cues as you talk or react to what others say. But when you wear a mask, your eyes and eyebrows are the only source for these cues. One type of mask tries to solve that problem by using a large transparent panel so that others can see your mouth as you speak.

The Findings of the Mask Study

The study setup

The team at Washington University studied speech understanding using four kinds of masks: surgical, cloth with an inserted filter, cloth without an inserted filter, and transparent.

A researcher read sentences unmasked and then while wearing each of the four mask types. The participants, none of whom had hearing loss, wrote down what they heard and how hard they had to work to hear it. Then they heard the sentences spoken with three different levels of background noise.

General results

When there was no background noise, participants understood every sentence. It didn’t make a difference if the speaker wore a mask or not.

When background noise entered the picture, however, the differences between the masks were clear. Communication was easiest through a surgical mask. A cloth mask (no filter) was second-best. Tied for last place were the transparent mask and the cloth mask with a filter.

The unexpected result

The big surprise was the transparent mask. When background noise was at its peak, only about 30% of what was said was understood. The plastic panel affected speech more than the other mask materials. But it also obscured nonverbal cues and lip-reading — because fog developed on the panel.

In fact, the researcher who read the sentences aloud had this to say about transparent masks: “They’re super uncomfortable and wet. They’re pretty gross.”

The winner

The surgical mask came out on top. It provided more than 50% accuracy of understanding in loud noise, and it took less effort to achieve that level of understanding.

It should come as no surprise that surgical masks won — they’ve been used for decades in settings requiring a sterile environment and clear communication, such as operating rooms and dentist chairs.


Have you been having more trouble than usual navigating the world of mask wearers? Contact us to schedule a hearing consultation!